Quotes

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  • SF Chronicle by Andrew Gilbert (read)
  • SJ Mercury News article by Yoshi Kato (read)
  • SF Chronicle review of a concert w/ Kim Nalley by Phil Elwood (read)
  • Carla Bley Big Band review on All About Jazz website (read)
  • Review of Ellington's sacred concert w/ Jon Faddis (read)
  • The Almanac review Ed Johnson and Novo Tempo (read)
  • Wally Schnalle review on Jazz Now (read)

     

 

John,
      I received your new CD this week and just had the opportunity to listen to it now, which I am doing as I write this and work on the computer Excellent, John! The playing and writing ... all of it! Congratulations, John! It's a really great CD and you should be very proud of it. I don't know what else to say except that I am really happy for you and wish you many more!
 

All the best,
Marvin Stamm

 

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      I've known and gigged with John for a long time and always loved his playing. So of course when I heard he was coming out with a new album, I couldn't wait to hear it. I listen to a lot of music, especially jazz. For me, the test for any CD is how often I will want to listen to it. Worlview is an album I'll listen to over and over again. John has put out a rare first album, a complete musical statement. His playing is superb, but this album is about the music John loves, not about "him," in my opinion. At times I wish he had stretched out more, but the CD is such a true work of art, I forget that. Telling a story, making a musical statement is something too often forgotten by the artist as they are at times, too concerned with only their playing. Thank you John for reminding me, once again, what making music is all about.

Tom E. Politzer
Lead Tenor, Tower of Power

 

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      All too often, jazz is portrayed as a realm dominated by young players, as if the acquisition of technical skills defined creativity. While some of the music’s greatest innovators made seminal contributions at an early age, the truth is that it’s far more common for musicians to come into their own later in life, after a couple decades of seasoning. This album is a case in point. Trumpeter John Worley Jr. has been a mainstay on the Bay Area jazz scene for almost a quarter century, a consummate sideman who has played everything from swing, bebop and free jazz to R&B, funk and Afro-Caribbean dance music.

 

On his debut session as a leader, Worley has taken the inspiration that he’s gathered from his vast array of experiences and distilled it into a series of clear and incisive statements. While his “Worlview” encompasses a myriad of styles, from Latin jazz to the modal Blue Note sound to funk and straight ahead bop, there’s an overall unity to the album that’s tremendously satisfying. It’s the work of an artist who knows exactly what he wants to say, and who has found a group of like-minded improvisers who share his vision.

 

Andrew Gilbert, June 2002

 

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       Hi John -- Just wanted to tell you I've been listening to your CD a lot. I love it: your choice of tunes, your playing, everything. Naturally I'm listening to the bass players closely and they're all great too. Plus everyone else ... Kris and Jason and everybody. Hope you're getting some recognition for a great CD. Thanks.

Preston Carter

 

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Hey John!
      It was great seeing you again last Friday at Bronstein's. I really dig your CD. It kicks azzzzzzz!!!!! The horns and band sound great and there are some cool arrangements.  Will you be promoting your cd with any live shows? Please let me know when and where.
Thanks again!

Tom Kiso

 

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      Your CD is fabulous! All of the cats are great on this date. The charts are cool and reflect the best of you and your experiences. As you know, Wayne and I go back a ways and it is always wonderful to hear his horn and artistry. David Belove is one of my favorite bassists. I have never had the opportunity to perform with him, but can only imagine what a gas it is for you to play with cats like he, Murray, Kristen, Paul, and Wayne.

I especially enjoy the CD insert material. You are so gracious to those who have been part of your musical evolution and life experiences and is most wonderful to have a warm-hearted friend like you produce a real jazz work for the rest of us. This really shows who you are John; Those who know you already know this, now the world will get to discover you.

Your playing personifies you John. I haven't had the chance to really hear you play much over the years but always have known you are the CAT! To think we met 26 years ago! I am thankful we are still friends. And I have one of your horns!

I really like O.C/D.C., Why Wait, WorlView, Rahsaan's Run, and Musing. Man, I like it all. I hear those influences! My favorites!

Take care John,
Keep on playing.
- Dean

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Hello John,

Your CD is spectacular!!!! Its exciting and fresh. I loved it from WorlView on and have listened to it about 20 times since I bought it. Each time I listen, I like it more. Your are a genius. If people don't buy it they are deaf. Best of luck.

Ciao,

Vicky Moore

 

 

Hi John,
      Man, your CD is really nice. You should be proud of this. It is definitely a "potpourri" of influences you have received over the years. Easy to hear Clark Terry, Tom Harrell, Miles, Freddie and even some swing cats in there! Your tunes are nice, all nicely arranged. I'd say your students are in good hands! Congratulations!

Uncle Bobby (Shew)

 

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     Finally the world gets a chance to experience the music of one Bay Areas best kept secrets. Worley has been active in the San Francisco Bay Area for over 15 years as one of that area's first called trumpet players capable of doing it all. Whether playing lead, or soloing in the bop style or sharing his vast knowledge with his numerous students, John brings a fresh approach to it all. This CD covers styles from straight ahead jazz, to Afro Cuban and all ports in between. Worley's music is from the heart. The heart of a man who has paid his dues as a Journeyman.  My favorite music is always performed by those that come from a place of maturity and experience. These are the true story tellers.  Please do as I did. Take off your shoes, sit back, relax and enter into the musical journey called "Worlview". You'll keep coming back-            

                                

Peace, Ray Vega, The Bronx, 2002

 

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      John Worley's new CD is a remarkably accurate example of his extraordinary gift of talent.  The emphasis on quiet, latin-type compositions show John's very large prowess as both composer and player.  John's playing and this project in general are a cut above the norm, and they will definitely hold your attention with their excellence.  A very worthwhile effort from an outstanding talent.

 

Fred Berry - Director, Northern California Louie Bellson Jazz Orchestra

 

***


     In a well-crafted and swinging debut CD, trumpet/flugelhorn player and composer John Worley has assembled a great cast of players and very cool collection of tunes. The ten tracks on the CD, called “WorlView”(yes, I thought it was WorldView at first, too…) cover a lot of ground, from Worley’s own Latin-tinged opening tune “WorlView” to compositions by Woody Shaw and the Bay Area’s own Dr. Wayne Wallace, who adds his trombone skills to several tracks. Many of these tunes beg to be heard over and over, such as Stanley Clarke’s Wayne Shorter-ish “Why Wait”, and Worley’s own funky “Jazz Is.” The latter features a very cool spoken word verse by William Minnenfeld, which then gives way to a swinging 4/4 section. Other tunes on the date feature the lovely tone of Worley’s flugelhorn as well as solos from John Shiflett, bass, Murray Low, piano, and Sebastien Lanson (a new name to me) on electric guitar. Worley has assembled a fine cast of players, indeed.

As the title of the CD might suggest, the players on this outing are indeed representative of a diverse musicians from various parts of the world: Native-American (John-Carlos Perea, bass), the Netherlands (Paul Van Wageningen, drums), Latin-American (Jesus Diaz, percussion), and Worley’s own Asian-American background. It’s an interesting mix, although not uncommon in an area which also has such diverse groups as the Pan-Asian Arkestra, Anthony Brown’s Asian American Orchestra, and Ed Johnson’s Novo Tempo, all of which has Mr. Worley in the horn section.

Now that the CD has been out for some weeks, it’s gratifying to hear it on the local jazz stations. Hopefully other parts of the country will soon get hip to this great local talent-and band- as the CD makes it’s way to other stations and Internet sites. “WorlView” deserves to be heard around the, well…world.

 

Review by Michael Handler

 

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      Hi, we spoke a bit after your show with Ed Johnson at the Little Fox and I got your CD. I just wanted to let you know I'm really enjoying it; it's been in the CD changer ever since. It's a very elegant set of music; I like the spare, clean arrangements that let all the great musicians stand out, and your tone and melodies are wonderful.

The masks are fabulous too! We have a 6-ft tiki god (really more like an Easter Island Moai) in our atrium at home, and one of the masks reminds me of him. Ours might need a hat...

Thanks very much for the terrific music!

 

Alex Lapidus
 

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      I am very happy for you. It is really good to see musicians of the bay doing it
felicidades,and all the best.

JESUS DIAZ

 

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Hi John,

       I'm so looking forward to hearing more of the great things that you and Wayne Wallace are doing. My band SLO Mambo, has purchased and is playing Worlview, Three In One & Pasando El tiempo. Great tunes & really nice arrangements. I'm also planning to get up to the Bay sometime soon to catch a lesson with you.
Thanks,

Bruce Knowlton

 






 

Dancing Sumo Records - "Diverse Music for a Diverse Culture"

Copyright 2006, John L. Worley, Jr.